Abstract

Abstract— We present here, a novel network architecture called MergeNet for discovering small obstacles for on-road scenes in the context of autonomous driving. The basis of the architecture rests on the central consideration of training with less amount of data since the physical setup and the annotation process for small obstacles is hard to scale. For making effective use of the limited data, we propose a multi-stage training procedure involving weight-sharing, separate learning of low and high level features from the RGBD input and a refining stage which learns to fuse the obtained complementary features. The model is trained and evaluated on the Lost and Found dataset and is able to achieve state-of-art results with just 135 images in comparison to the 1000 images used by the previous benchmark. Additionally, we also compare our results with recent methods trained on 6000 images and show that our method achieves comparable performance with only 1000 training samples.

Abstract

The current Document Image Quality Assessment (DIQA) algorithms directly relate the Optical Character Recognition (OCR) accuracies with the quality of the document to build supervised learning frameworks. This direct correlation has two major limitations: (a) OCR may be affected by factors independent of the quality of the capture and (b) it cannot account for blur variations within an image. An alternate possibility is to quantify the quality of capture using human judgement, however, it is subjective and prone to error. In this work, we build upon the idea of Spatial Frequency Response (SFR) to reliably quantify the quality of a document image. We present through quantitative and qualitative experiments that the proposed metric leads to significant improvement in document quality prediction in contrast to using OCR as ground truth.

Abstract

Uneven illumination and shadows in document images cause a challenge for digitization applications and automated workflows. In this work, we propose a new method to recover unshadowed document images from images with shadows/uneven illumination. We pose this problem as one of estimating the shading and reflectance components of the given original image. Our method first estimates the shading and uses it to compute the reflectance. The output reflectance map is then used to improve the shading and the process is repeated in an iterative manner. The iterative procedure allows for a gradual compensation and allows our algorithm to even handle difficult hard shadows without introducing any artifacts. Experiments over two different datasets demonstrate the efficacy of our algorithm and the low computation complexity makes it suitable for most practical applications.

Abstract

We present a novel approach to optimally retarget videos for varied displays with differing aspect ratios by preserving salient scene content discovered via eye tracking. Our algorithm performs editing with cut, pan and zoom operations by optimizing the path of a cropping window within the original video while seeking to (i) preserve salient regions, and (ii) adhere to the principles of cinematography. Our approach is (a) content agnostic as the same methodology is employed to re-edit a wide-angle video recording or a close-up movie sequence captured with a static or moving camera, and (b) independent of video length and can in principle re-edit an entire movie in one shot. Our algorithm consists of two steps. The first step employs gaze transition cues to detect time stamps where new cuts are to be introduced in the original video via dynamic programming. A subsequent step optimizes the cropping window path (to create pan and zoom effects), while accounting for the original and new cuts. The cropping window path is designed to include maximum gaze information, and is composed of piecewise constant, linear and parabolic segments. It is obtained via L(1) regularized convex optimization which ensures a smooth viewing experience. We test our approach on a wide variety of videos and demonstrate significant improvement over the state-of-the-art, both in terms of computational complexity and qualitative aspects. A study performed with 16 users confirms that our approach results in a superior viewing experience as compared to gaze driven re-editing [JSSH15] and letterboxing methods, especially for wide-angle static camera recordings.

Abstract

Abstract. We propose a new long video dataset 1 (called Track Long and Prosper - TLP) and benchmark for single object tracking. The dataset consists of 50 HD videos from real world scenarios, encompassing a duration of over 400 minutes (676K frames), making it more than 20 folds larger in average duration per sequence and more than 8 folds larger in terms of total covered duration, as compared to existing generic datasets for visual tracking. The proposed dataset paves a way to suitably assess long term tracking performance and train better deep learning architectures (avoiding/reducing augmentation, which may not reflect real world behaviour). We benchmark the dataset on 17 state of the art trackers and rank them according to tracking accuracy and run time speeds. We further present thorough qualitative and quantitative evaluation highlighting the importance of long term aspect of tracking. Our most interesting observations are (a) existing short sequence benchmarks fail to bring out the inherent differences in tracking algorithms which widen up while tracking on long sequences and (b) the accuracy of trackers abruptly drops on challenging long sequences, suggesting the potential need of research efforts in the direction of long-term tracking.

Abstract

The advent of indoor personal mobile robots has clearly demonstrated their utility in assisting humans at various places such as workshops, offices, homes, etc. One of the most important cases in such autonomous scenarios is where the robot has to search for certain objects in large rooms. Exploring the whole room would prove to be extremely expensive in terms of both computing power and time. To address this issue,we demonstrate a fast algorithm to reduce the search space by identifying possible object locations as two classes, namely - Support Structures and Clutter. Support Structures are plausible object containers in a scene such as tables, chairs, sofas, etc. Clutter refers to places where there seem to be several objects but cannot be clearly distinguished. It can also be identified as unorganized regions which can be of interest for tasks such as robot grasping, fetching and placing objects. The primary contribution of this paper is to quickly identify potential object locations using a Support Vector Machine(SVM) learnt over the features extracted from thedepth map and the RGB image of the scene, which further culminates into a densely connected Conditional Random Field(CRF) formulated over the image of the scene. The inference over the CRF leads to assignment of the labels - support structure, clutter, others to each pixel.There have been reliable outcomes even during challenging scenarios such as the support structures being far from the robot. The experiments demonstrate the efficacy and speed of the algorithm irrespective of alterations to camera angles, modifications to appearance change, lighting and distance from locations etc

Abstract

Recordings of stage performances are easy to capture with a high-resolution camera, but are difficult to watch because the actors’ faces are too small. We present an approach to automatically create a split screen video that transforms these recordings to show both the context of the scene as well as close-up details of the actors. Given a static recording of a stage performance and tracking information about the actors positions, our system generates videos showing a focus+context view based on computed close-up camera motions using crop-and zoom. The key to our approach is to compute these camera motions such that they are cinematically valid close-ups and to ensure that the set of views of the different actors are properly coordinated and presented. We pose the computation of camera motions as convex optimization that creates detailed views and smooth movements, subject to cinematic constraints such as not cutting faces with the edge of the frame. Additional constraints link the close up views of each actor, causing them to merge seamlessly when actors are close. Generated views are placed in a resulting layout that preserves the spatial relationships between actors. We demonstrate our results on a variety of staged theater and dance performances.

Abstract

Small and medium sized obstacles such as rocks, small boulders, bricks left unattended on the road can pose hazards for autonomous as well as human driving situations. Many times these objects are too small on the road and go unnoticed on depth and point cloud maps obtained from state of the art range sensors such as 3D LIDAR. We propose a novel algorithm that fuses both appearance and 3D cues such as image gradients, curvature potentials and depth variance into a Markov Random Field (MRF) formulation that segments the scene into obstacle and non obstacle regions. Appearance and depth data obtained from a ZED stereo pair mounted on a Husky robot is used for this purpose. While identifying true positive obstacles such as rocks, large stones accurately our algorithm is simultaneously robust to false positive sources such as appearance changes on the road, papers and road markings. High accuracy detection in challenging scenes such as when the foreground obstacle blends with the background road scene vindicates the efficacy of the proposed formulation.

Abstract

The current document blur/quality estimation algorithms rely on the OCR accuracy to measure their success. A sharp document image, however, at times may yield lower OCR accuracy owing to factors independent of blur or quality of capture. The necessity to rely on OCR is mainly due to the difficulty in quantifying the quality otherwise. In this work, we overcome this limitation by proposing a novel dataset for document blur estimation, for which we physically quantify the blur using a capture set-up which computationally varies the focal distance of the camera. We also present a selective search mechanism to improve upon the recently successful patch-based learning approaches (using codebooks or convolutional neural networks). We present a thorough analysis of the improved blur estimation pipeline using correlation with OCR accuracy as well as the actual amount of blur. Our experiments demonstrate that our method outperforms the current state-of-the-art by a significant margin.

Abstract

We propose a new long video dataset (called Track Long and Prosper-TLP) and benchmark for single object tracking. The dataset consists of 50 HD videos from real world scenarios, encompassing a duration of over 400 minutes (676K frames), making it more than 20 folds larger in average duration per sequence and more than 8 folds larger in terms of total covered duration, as compared to existing generic datasets for visual tracking. The proposed dataset paves a way to suitably assess long term tracking performance and train better deep learning architectures (avoiding/reducing augmentation, which may not reflect real world behaviour). We benchmark the dataset on 17 state of the art trackers and rank them according to tracking accuracy and run time speeds. We further present thorough qualitative and quantitative evaluation highlighting the importance of long term aspect of tracking. Our most interesting observations are (a) existing short sequence benchmarks fail to bring out the inherent differences in tracking algorithms which widen up while tracking on long sequences and (b) the accuracy of trackers abruptly drops on challenging long sequences, suggesting the potential need of research efforts in the direction of long-term tracking.